IN THEATRE


PITCH PERFECT
PITCH PERFECT
(112 PG-13) 2012 USA Jason Moore, director
One Night Only Sep 24
Don't miss a special one-time screening of the drama, music, dancing, & comedy extravaganza that is Pitch Perfect on the big screen. In one corner it’s the uber-competitive Barden Bellas, Barden University's female a cappella group. In the other corner, it’s every other team, as the Bellas battle for top spot on the way to the ICCA Finals.

Friday, Sep 24 10:00 PM
THE CARD COUNTER
THE CARD COUNTER
(111 R) Written and directed by Paul Schrader, director
Opens Sep 24
As a writer (Taxi Driver) and director (First Reformed), Paul Schrader has brilliantly explored the search for redemption. His new psychological thriller stars Oscar Isaac (Ex Machina) as smalltime Las Vegas card counter William Tell, who survives by burying his experiences in the Iraq War. Cirk, however, is a young man (Tye Sheridan) who’s all about revenge: he’s come to Vegas to kill the Major at Abu Ghraib prison he blames for his father’s suicide. Determined to help Cirk start a new life, Tell enters the World Series of Poker in hopes of winning big, and overcoming demons of his own. “One of the best films of the year.” – Richard Roeper, Chicago Sun Times.

Friday, Sep 24 7:30 PM Saturday, Sep 25 7:30 PM Sunday, Sep 26 2:30 PM Monday, Sep 27 7:30 PM Tuesday, Sep 28 7:30 PM Wednesday, Sep 29 7:30 PM Thursday, Sep 30 7:30 PM

Past Films

THE LOST LEONARDO
THE LOST LEONARDO
(100 PG-13) U.S./Denmark Andreas Koefoed, director
The best mystery of 2021 is also its unlikeliest: Andreas Koefoed’s documentary about a painting believed to be a lost masterpiece by Leonardo DaVinci. At a New Orleans auction, two art dealers buy a painting and bring it to restorer Dianne Modestini. Uncovering many layers, she is amazed to find a portrait of Christ with a distinct resemblance to the Mona Lisa. Authenticated by London’s National Gallery and hung in the Louvre, it is called a miracle…until skeptics find clues that all is not as it seems.

HEDWIG AND THE ANGRY INCH
HEDWIG AND THE ANGRY INCH
(95 R) 2001 John Cameron Mitchell, director
Queer Thursday’s September selection is the 20th Anniversary (!) screening of Hedwig and the Angry Inch. The ultimate cult movie begins in East Germany, as genderqueer rocker Hedwig - whose reassignment surgery went very wrong - moves to Kansas to kickstart her dreams. Hedwig is flying – until her protégé (Michael Pitt), steals her songs and finds stardom. But when Hedwig performs in Times Square and reveals his true identity, it’s a victory for everyone with the courage to stand and be counted.

WILDLAND
WILDLAND
(88) 2020 Denmark Jeanette Nordahl, director
Devoted fans of Danish TV series Borgen know how interesting it gets when women are in charge, and Wildland is written and directed by women, and Borgen’s Sidse Babett Knudsen is its charismatic star. In a very different role, Knudsen is Bodil, the cheerfully ruthless matriarch of a crime family consisting of her three equally dangerous sons. Into their world steps Bodil’s impressionable young niece. As she discovers the family business, she must decide: escape from their felonious reach, or join their adrenaline-fueled life?    

BLACK WIDOW
BLACK WIDOW
(133 PG-13) Cate Shortland, director
Cinestudio presents the summer’s shiny new entry in the Marvel Cinematic Universe, with dazzling action and a complex origin story. It opens with the abduction of an American “family” of undercover Russian spies, including young “sisters” Natasha and Yelena. Abductor General Dreykov’ nefarious plan is to train Natasha and Yelena (Florence Pugh) to join his elite corps of lethal Widows. 21 years later and Natasha (Scarlett Johansson) has become the ultimate assassin. However, instead of crushing the decadent West, she seeks revenge on the man who split up the only family she has known. “It’s worth seeing on a big screen, not just once but twice!” - Randy Myers, Mercury News.

ANNETTE
ANNETTE
(140 R) 2021 France/Mexico/United States/Switzerland/Belgium/Japan/Germany Leos Carax, Music by Ron Mael & Russell Mael of The Sparks, director
After winning the Best Director prize at this years Cannes Film Festival, the new film by French director Leos Carax (Holy Motors) makes its Cinestudio debut! Adam Driver and Marion Cotillard, star – and sing - in a musical scored by alt-pop group, Sparks. Driver plays an edgy comic who loves his opera singer wife (Cotillard), but is corrosively jealous of her rapturous audiences. But thoughts of A Star Is Born disappear as Carax introduces the couple’s child: a puppet with a unique voice of her own... “An anti-La La Land with dashes of Pinocchio…is a grand experiment!” –Ed Cotton, The Times UK 

THE GREEN KNIGHT
THE GREEN KNIGHT
(130 R) 2021 Ireland, Canada, United States & United Kingdom. Written and directed by David Lowery, based on Gawain and the Green Knight., director
The best of the summer’s epics draws its enchantment from a 14th Century poem. In King Arthur’s magical world, the impulsive Gawain accepts a challenge from a creature known as the Green Knight. Gawain (a superb Dev Patel) may land the first blow, but in one year the same injury will be dealt to him. For twelve months, Gawain travels a beautiful, unpredictable medieval Britain preparing to face what may be his own death.

MOFFIE
MOFFIE
(104 NR) 2021 South Africa Oliver Hermanus, director
Just released in cinemas, Moffie is a devastating look back at the apartheid nation of South Africa in 1981. Soft-spoken 16-year-old Nicholas Van der Swart (Kai Luke Brummer) is serving two years of compulsory military service on the Angolan border. For Nicholas, the experience is life-changing, as he explores his sexuality with a fellow soldier. But challenging the strict status quo makes it clear – that racism, toxic masculinity and homophobia go hand in hand.  

ROADRUNNER: A Film About Anthony Bourdain
ROADRUNNER: A Film About Anthony Bourdain
(119 R) 2021 Morgan Neville, director
You would think that Academy Award-winning filmmaker Morgan Neville would find little in common between his latest subjects: the minister and children’s TV host Fred Rogers (Won’t You Be My Neighbor?); and Anthony Bourdain, the acerbic icon who traveled the world in search of culture, history and food. But according to Neville, both men fought to “show people our common humanity." This unflinching look at Bourdain reverberates with his presence, in his own voice and in the way he indelibly impacted the world around him.

PIG
PIG
(92 R) 2021 USA Written & Directed by Michael Sarnoski, director
Don’t be surprised to see Nicholas Cage receive his second Academy Awards Best Actor win for the indie film Pig, and a comeback performance is understated, funny and raw. As a former Portland chef, Cage finds solace from his wife’s death in truffle hunting with the help of his companion, Pig. When Pig is abducted, Cage leaves the forest to search for him in Portland’s restaurant subculture. More atmospheric mystery than thriller, Pig celebrates artistic authenticity over making a quick buck. NYT Critic's Pick.

I CARRY YOU WITH ME
I CARRY YOU WITH ME
(111 R) Mexico, United States Heidi Ewing, director
    The first narrative film by documentarian Heidi Ewing (Jesus Camp) is based on the true-life journey of a Mexican chef with the dream of bringing his unique style of cooking to New York City. The film opens with Iván Garcia (Armando Espitia) as a young man in homophobic Puebla, cleaning tables and planning his escape. Falling head over heels for a grad student named Gerardo (Christian Vazquez), Garcia is torn by his quest, and the risk of never seeing Gerardo again. “With mouthwatering close-ups of the food Ivan lovingly prepares, Ewing’s film, for all its painful conflicts, never stints on the lyrical pleasures of life.” Ann Hornaday, Washington Post

SUMMER OF SOUL (...Or, When the Revolution Could Not Be Televised)
SUMMER OF SOUL (...Or, When the Revolution Could Not Be Televised)
(117 PG-13) 2021 Questlove, director
“What would have happened if this had been allowed a seat at the table?” The unanswerable question by Questlove (DJ, producer, drummer for The Roots) is about the Harlem Cultural Festival in 1969. Blown away by the forgotten footage, Questlove made a film celebrating performers including Stevie Wonder, Sly and the Family Stone, Max Roach, and Nina Simone -  not to mention Mahalia Jackson and Mavis Staples in a heartrending tribute to Martin Luther King Jr.

MILKWATER
MILKWATER
(101) Written & Directed by Morgan Ingari, director
Morgan Ingari’s first film is a bittersweet comedy that lives in the sweet spot of the zeitgeist. Molly Bernard (Younger) plays a 20-something Brooklynite who feels less successful with each friend’s marriage or step up the career ladder. Drowning her insecurity at a local bar, she becomes friendly with an older gay man who desperately want to be a father. And while surrogacy seems to be the solution, misunderstandings threaten their beautiful dream.

TRUMAN & TENNESSEE: AN INTIMATE CONVERSATION
TRUMAN & TENNESSEE: AN INTIMATE CONVERSATION
(81) Lisa Immordino Vreeland, director
Truman & Tennessee celebrates the friendship of two American writers, mixing footage of Capote and Williams with excerpts from their revealing correspondence. Both authors grew up in the pre-WW II South, where being gay was hidden and dangerous. Nevertheless, they went on to write some of the 20th century’s best books (Breakfast at Tiffany’s), and plays (A Streetcar Named Desire) that are tinged with an appreciation for the misunderstood and the outcasts.

IN THE HEIGHTS
IN THE HEIGHTS
(143 PG-13) 2021 USA Jon M. Chu, director
Treat yourself to the spirit-recharging movie of the summer, with the brilliant songwriting of Lin-Manuel Miranda (Hamilton). Just like West Side Story and Saturday Night Fever, The Heights was filmed in New York City, capturing all of its kinetic energy. The film follows two couples: Usnavi & Vanessa  played by Anthony Ramos and Melissa Barrera; and Benny (taxi dispatcher) & Nina, (Stanford student). But it’s the Heights’ Latino community –its music and stubborn belief in the American Dream – that touches the soul.

LA PISCINE
LA PISCINE
(124) 1969 France/Italy Jacques Deray, director
Cinestudio kicks off its Summer of Cinema with a dazzling 4K restoration of a sun-saturated psychological thriller, directed by Jacques Deray, known as “the French Hitchcock.” The film opens with two lovers (equally gorgeous Alain Delon and Romy Schneider) on vacation in a villa in St. Tropez. Their languorous interlude is disrupted by the arrival of Schneider’s amorous ex (Maurice Ronet) and his 18-year old daughter, played by a touchingly young Jane Birkin.

SUNFLOWERS
SUNFLOWERS
(90) David Bickerstaff, director
Exhibition on Screen opens the doors to an extraordinary show in Amsterdam’s Van Gogh Museum, that brings together five of the Dutch artist’s iconic Sunflower paintings from London, Philadelphia, Tokyo, Munich and Amsterdam. Why was Van Gogh obsessed with the exotic sunflower, and how does each painting change from version to version? What were scientists able to discover when they analysed the works? All is revealed in this dazzling film, shown in high-definition on Cinestudio’s immersive screen.        

THE HUMAN VOICE & WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN
THE HUMAN VOICE & WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN
(119 R) 2021 & 1988 Spain Two Films Written and Directed by Pedro Almodóvar, director
The Human Voice. 2020 robbed moviegoers of so much, it also inspired some directors to experiment. Pedro Almodóvar responded with a fantastic short film based on Jean Cocteau’s monologue of a woman on the telephone with her faithless lover – now updated and starring a more independent Tilda Swinton. Women on the Verge of a Nervous Breakdown. Even before remaking The Human Voice, Almodóvar was inspired by its rejected woman driven to despair in his 1988 classic movie. But in Madrid, angst morphs into comedy, as Carmen Maura tries to track down her lover. It’s a wild adventure including barbiturate-spiked gazpacho, accidental hookups with terrorists, and the possibilities of turning rivals into comrades.

PROMISING YOUNG WOMAN
PROMISING YOUNG WOMAN
(113 R) Written and directed by Emerald Fennell, director
Winner of the Oscar for Best Original Screenplay, Promising Young Woman gleefully exposes rape culture and the harm that (some) men are capable of inflicting. Emerald Fennell’s funny, pastel-toned and provocative movie stars Carey Mulligan (Never Let Me Go) as Cassie, whose time in med school was derailed by a friend’s sexual assault. Burning with rage, she works in a coffee shop by day and picks up unsuspecting bros by night… to give them a taste of their own nasty medicine.

DRY WIND (Vento Seco)
DRY WIND (Vento Seco)
(110) Brazil Written and directed by Daniel Nolasco., director
OUTFILM CT presents May’s Queer Thursdays electrifying selection: a neon fantasia of erotic discovery set in the rustic (and conservative) Catalan countryside warmed by an insinuating dry wind. Filmmaker Daniel Nolasco follows the yearnings of Sandro (Leandro Faria Lelo), a shy, hunky bear who spices up his life as a factory manager with explicit sexual encounters—both real and imagined.

TRINITY FILM FESTIVAL 2021
TRINITY FILM FESTIVAL 2021
Celebrate undergraduate short films at the World Premiere of the 10th Annual Trinity Film Festival! Every year, Trinity Film Festival offers undergraduates from around the world the opportunity to premiere their short films on the big screen for an audience of peers, professionals, and local filmgoers. This year we are happy to hold both an online as well as an in-person screening of these films.

MA RAINEY'S BLACK BOTTOM
MA RAINEY'S BLACK BOTTOM
(94 R) George C. Wolfe, director
The final performance of 43-year-old Chadwick Boseman is a powerful film based on a play by the great August Wilson. Viola Davis plays pioneering blues artist Ma Rainey, who struggled to for control in an industry run by white men. It is set in a 1920s Chicago recording studio where everyone’s desires are at odds: an ambitious cornet player (Boseman) wants to promote his songs, white producers want a hit, and Ma Rainey fights to keep Black culture alive and swinging.

THE FATHER
THE FATHER
(97 PG-13) 2012 Written and directed by Florian Zeller, based on Zeller’s play., director
Cinestudio presents another Academy Award-films nominated for Best Picture, for everyone who hasn’t been able to see it in a real cinema! The Father also picked up nominations for Best Actor and Best Supporting Actress for Anthony Hopkins and Olivia Coleman, who play a man struggling with dementia, and his frustrated but loving daughter. What stands out is French writer/director Florian Zeller’s choice to see the world through the father’s eyes. In refusing to limit Hopkins’s character to a victim, The Father asks questions of memories, consciousness and compassion that affect everyone.

MINARI
MINARI
(120 PG-13) Written and directed by Lee Isaac Chung, director
Cinestudio is pleased to present one of the best films of 2020 on the big screen. Nominated for six Academy Awards, including the first for an Asian American woman for Best Picture and Best Actor. Yeun plays a Korean immigrant who moves his wife and two young children from Los Angeles to rural Arkansas, to grow and sell Korean vegetables though his wife Monica isn't sure about the trailer home. For the children, it's their grandmother who links an immigrant past to their life in the Ozarks.


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